dramatis personae

英 [ˌdræmətɪs pɜːˈsəʊnaɪ]

美 [ˌdræmətɪs pɜːrˈsoʊni]

n.  全体剧中人物

牛津词典

noun

• 全体剧中人物
  all the characters in a play in the theatre

柯林斯词典

• (一出戏中的)剧中人物，全部角色
  The characters in a play are sometimes referred to asthe dramatis personae.

英英释义

noun

• the actors in a play
  Synonym:castcast of characters

双语例句

• It tries to analyze the shape of the theme, the relation of the dramatis personae and its relation with the development of the dramatic confliction, the causes of Margaret's tragedy from the approach of the context.
  从文本角度，探析歌剧主题形成、戏剧人物关系，以及这种关系与戏剧冲突发展的关系，玛格丽特悲剧的成因；
• The second chapter: "Self and" himself are transformed into "author" and "dramatis personae".
  第二章、自我与他者关系的转换：作者与主人公。
• This paper investigates on the consciousness of watching& guarding represented from pure texts of Writer Xue Tao's youth novel, neither simply on the writer's nor the dramatis personae's from these works.
  本文研究的重点不是作家薛涛的守望意识，也不单纯是薛涛少年小说中人物的守望意识，而是薛涛少年小说文本本身所表现出来的守望意识。
• When acting as a connotation character, it compares with the dramatis personae and sustains each other.
  当“我”以内涵人物出现时，“我”和主人公参差对照，重叠互映，各得生命；
• From the translation style of the dramatis personae's language, the author analyzes the artistic achievement of Ying Ruocheng's translation of "Death of the Salesman".
  本文试从戏剧人物语言的翻译风格的角度，试析著名艺术家、翻译家英若诚先生戏剧翻译作品《推销员之死》的艺术成就。
• PERSONAGE The Application of Dramatis Personae in Idiom and its Natural Culture
  从民族文化看人物习语
• Dramatis personae created by Camus have many same characteristic with those classic tragic heroes. And we can associate them together easily.
  加缪作品的主人公具备同古典悲剧主人公相似的性格特征，其人物形象也能让我们联想到很多经典的悲剧人物。
• In the form, both Nauseous and Stranger are accounts in dramatis personae's own words, syncretizing the literary side and philosophical side.
  在形式上，《恶心》与《局外人》都是主人公的自述，文学与哲学融为一体；
• National culture, traditional custom, historical tradition and social development are the important sources of dramatis personae in idioms.
  民族文化、风俗习惯、历史传统以及社会发展等是人物习语的重要来源。
• Chenran ( and dramatis personae in her novels) feels much alone, meanwhile tastes the desolation, and then upgrades the loneliness to lay of philosophy and the desolation to compass of art.
  陈染在追求人类终极意义的途中，是如此地感受着孤独，品尝着忧伤，并将孤独提升到哲学层面，把忧伤升华为艺术境界。